Download ALL of the tracks and mix the song for yourself!

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Get your hands on the original recordings of "Electricity" and mix the song for yourself! We're also including a license for you to use your mix on your website or portfolio.

" There was no me telling them what to do. They did what they wanted to do. I was there to guide them to try different things.”
- Cameron Webb

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"Things were never normal with Motörhead, things were never normal with Lemmy. Working with Motörhead changed my world of what I thought was acceptable in recording and mixing. There was no longer a rule. The new rule was: How do I make that sound work in a song?" 

- Cameron Webb

Drums can often be the hardest part to get right, especially in dense rock mixes:

Your drums have to cut through huge layers of electric guitars, sound full, punchy and energetic, while blending well with the bass and not overpowering the vocals. Better yet, you want them to sound huge which can be tough with guitars covering up your reverb or room-sound.

Plus there are tons of options:

You have to find the right blend and mix lots of different mics to create a cohesive sound for your drum kit.
Where do you start?

There can be phase issues, which cause a loss of energy,  bleed between different microphones, which will make your drums sound less defined. How can you counteract or even notice these issues?

Should you tweak individual drum tracks in solo, or should you mix all-tracks-in from the start?

Do you want your overhead mics act as cymbal mics or cover the full drum kit? Should the kick or the bass dominate the low-end? Are you going to use compression, parallel compression, drum bus compression?

... You get where this is going.

Get insights into the thought process and learn the techniques of an accomplished pro:

Cameron has a lot of experience in producing and mixing huge sounding drums for a variety of amazing rock bands and will walk you through his complete process of achieving the sound he´s looking for.

A great heavy guitar sound is usually achieved primarily in the recording phase:

Cameron describes Motörhead´s production and recording process, which amps they used and his special technique to record the full band with blasting amps in the studio, while still achieving separation between the instruments and avoiding massive amounts of bleed.

You'll learn how to arrange your guitars to help the song build, keep peoples interest and make them blend well with the rest of the band.

That's not all: Cameron will teach you how to fine-tune your guitar sound and make them sit perfectly in the mix by shaping them with EQ , Compression.

- You heard right: Compressing heavy guitars!

Why? You're about to find out.

"I grew up loving Motörhead´s album "Orgasmatron". It's not your regular Rock record. It's pretty wild and free, it always sounds like a train wreck is happening. So with this song I thought: Let's let it be weird and free and fun and interesting."

To capture the uniqueness of the band and recreate the feel of earlier Motörhead records, Cameron decided to take an unusual approach to Lemmy´s vocals with this song:

Instead of recording a single lead vocal, he recorded two different performances and panned them hard left and right.

"I wasn't approaching the song in a normal way. I wanted this one to be a little weird."

You´ll gain great insights into Lemmy's process of songwriting, approach to making music and recording.

Cameron shares a lot of great stories of how he interacted with Lemmy and the band and gives tips for dealing with artists and getting them to perform the best they can. 

We're including the original multitrack session of "Electricity", so you can get insights into the arrangement and production and mix the song for yourself. We're also including a license for you to use your mix on your website or portfolio to help you grow your mixing business.